| Quadrat I +II |
Samuel Beckett |
1981
|
| Black Gate Cologne : A Light Play |
Aldo Tambellini, Otto Piene |
1968
|
| Again and
Again |
|
1972
|
| Art must be beautiful, Artist must be beautiful |
Marina Abramović |
1975
|
| Bougies vénitiennes |
René Bauermeister |
1975
|
| High Fidelity |
René Bauermeister |
1975
|
| Quadrat I +II |
Samuel Beckett |
1981
|
| Vidicon Inscriptions |
David Hall |
1974
|
| Quadrat I +II |
Samuel Beckett |
1981
|
| La pose (perturbations I) |
Jean Otth |
1972
|
| Limite A : le mythe de la caverne |
Jean Otth |
1972
|
| Black Gate Cologne : A Light Play |
Aldo Tambellini, Otto Piene |
1968
|
| Tanz für eine Frau |
Ulrike Rosenbach |
1975
|
| F.H.A.R. (Front Homosexuel d'Action Révolutionnaire) |
Carole Roussopoulos |
1971
|
| Black Gate Cologne : A Light Play |
Aldo Tambellini, Otto Piene |
1968
|
| Black Gate Cologne : A Light Play |
Aldo Tambellini, Otto Piene |
1968
|
| Quadrat I +II |
Samuel Beckett |
1981
|
| Das Duracellband |
Klaus Vom Bruch |
1980
|
| Black Gate Cologne : A Light Play |
Aldo Tambellini, Otto Piene |
1968
|
| TV + VT Werke |
Peter Weibel |
1969
|